Tuesday, September 03, 2013

the greatest gift

The Greatest Gift
by Philip Van Doren Stern
Unable to find a publisher for "The Greatest Gift," Philip Van
Doren Stern printed two hundred copies of the story and used
them as Christmas cards in 1943. From this humble beginning,
a classic was born. Van Doren Stern's story captivated Frank
Capra, who said he "had been looking for [it] all [his] life."
Capra's beloved adaptation, It's a Wonderful Life, starring
James Stewart, Donna Reed, and Lionel Barrymore, was
released in 1946, and while the film, which received Academy
Award nominations for Best Picture, Best Actor, and Best
Director, didn't take home an Oscar, it has secured its place in
the American holiday tradition.
The Greatest Gift
 The little town straggling up the hill was bright with colored
Christmas lights. But George Pratt did not see them. He was
leaning over the railing of the iron bridge, staring down
moodily at the black water. The current eddied and swirled like
liquid glass, and occasionally a bit of ice, detached from the
shore, would go gliding downstream to be swallowed up in the
shadows under the bridge.
 The water looked paralyzingly cold. George wondered how
long a man could stay alive in it. The glassy blackness had a
strange, hypnotic effect on him. He leaned still farther over the
railing...
 “I wouldn’t do that if I were you,” a quiet voice beside him
said.
 George turned resentfully to a little man he had never seen
before. He was stout, well past middle age, and his round
cheeks were pink in the winter air as though they had just been
shaved.
 “Wouldn’t do what?” George asked sullenly.
 “What you were thinking of doing.”
 “How do you know what I was thinking?”
 “Oh, we make it our business to know a lot of things,” the
stranger said easily.
 George wondered what the man’s business was. He was a
most unremarkable little person, the sort you would pass in a
crowd and never notice. Unless you saw his bright blue eyes,
that is. You couldn’t forget them, for they were the kindest,
sharpest eyes you ever saw. Nothing else about him was
noteworthy. He wore a moth-eaten old fur cap and a shabby
overcoat that was stretched tightly across his paunchy belly. He
was carrying a small black satchel. It wasn’t a doctor’s bag—it
was too large for that and not the right shape. It was a
salesman’s sample kit, George decided distastefully. The fellow
was probably some sort of peddler, the kind who would go
around poking his sharp little nose into other people’s affairs.
 “Looks like snow, doesn’t it?” the stranger said, glancing up
appraisingly at the overcast sky. “It’ll be nice to have a white
Christmas. They’re getting scarce these days—but so are a lot
of things.” He turned to face George squarely. “You all right
now?”
 “Of course I’m all right. What made you think I wasn’t? I
—”
 George fell silent before the stranger’s quiet gaze.
 The little man shook his head. “You know you shouldn’t
think of such things—and on Christmas Eve of all times!
You’ve got to consider Mary—and your mother too.” George opened his mouth to ask how this stranger could
know his wife’s name, but the fellow anticipated him. “Don’t
ask me how I know such things. It’s my business to know ’em.
That’s why I came along this way tonight. Lucky I did too.” He
glanced down at the dark water and shuddered.
 “Well, if you know so much about me,” George said, “give
me just one good reason why I should be alive.”
 The little man made a queer chuckling sound. “Come, come,
it can’t be that bad. You’ve got your job at the bank. And Mary
and the kids. You’re healthy, young, and—”
 “And sick of everything!” George cried. “I’m stuck here in
this mudhole for life, doing the same dull work day after day.
Other men are leading exciting lives, but I—well, I’m just a
small-town bank clerk that even the army didn’t want. I never
did anything really useful or interesting, and it looks as if I
never will. I might just as well be dead. I might better be dead.
Sometimes I wish I were. In fact, I wish I’d never been born!”
 The little man stood looking at him in the growing darkness.
“What was that you said?” he asked softly.
 “I said I wish I’d never been born,” George repeated firmly.
“And I mean it too.”
 The stranger’s pink cheeks glowed with excitement. “Why
that’s wonderful! You’ve solved everything. I was afraid you
were going to give me some trouble. But now you’ve got the
solution yourself. You wish you’d never been born. All right!
OK! You haven’t!”
 “What do you mean?” George growled.
 “You haven’t been born. Just that. You haven’t been born.
No one here knows you. You have no responsibilities—no job
—no wife—no children. Why, you haven’t even a mother. You
couldn’t have, of course. All your troubles are over. Your wish,
I am happy to say, has been granted—officially.”
 “Nuts!” George snorted and turned away.
 The stranger ran after him and caught him by the arm.
 “You’d better take this with you,” he said, holding out his
satchel. “It’ll open a lot of doors that might otherwise be
slammed in your face.”
 “What doors in whose face?” George scoffed. “I know
everybody in this town. And besides, I’d like to see anybody
slam a door in my face.”
 “Yes, I know,” the little man said patiently. “But take this
anyway. It can’t do any harm and it may help.” He opened the
satchel and displayed a number of brushes. “You’d be surprised
how useful these brushes can be as introduction—especially the
free ones. These, I mean.” He hauled out a plain little hairbrush.
“I’ll show you how to use it.” He thrust the satchel into
George’s reluctant hands and began: “When the lady of the
house comes to the door you give her this and then talk fast.
You say: ‘Good evening, Madam. I’m from the World Cleaning
Company, and I want to present you with this handsome and
useful brush absolutely free—no obligation to purchase
anything at all.’ After that, of course, it’s a cinch. Now you try
it.” He forced the brush into George’s hand.
 George promptly dropped the brush into the satchel and
fumbled with the catch, finally closing it with an angry snap.
“Here,” he said, and then stopped abruptly, for there was no one
in sight.
 The little stranger must have slipped away into the bushes
growing along the river bank, George thought. He certainly
wasn’t going to play hide-and-seek with him. It was nearly dark and getting colder every minute. He shivered and turned up his
coat collar.
 The street lights had been turned on, and Christmas candles
in the windows glowed softly. The little town looked
remarkably cheerful. After all, the place you grew up in was the
one spot on earth where you could really feel at home. George
felt a sudden burst of affection even for crotchety old Hank
Biddle, whose house he was passing. He remembered the
quarrel he had had when his car had scraped a piece of bark out
of Hank’s big maple tree. George looked up at the vast spread
of leafless branches towering over him in the darkness. The tree
must have been growing there since Indian times. He felt a
sudden twinge of guilt for the damage he had done. He had
never stopped to inspect the wound, for he was ordinarily afraid
to have Hank catch him even looking at the tree. Now he
stepped out boldly into the roadway to examine the huge trunk.
 Hank must have repaired the scar or painted it over, for there
was no sign of it. George struck a match and bent down to look
more closely. He straightened up with an odd, sinking feeling in
his stomach. There wasn’t any scar. The bark was smooth and
undamaged.
 He remembered what the little man at the bridge had said. It
was all nonsense, of course, but the nonexistent scar bothered
him.
 When he reached the bank, he saw that something was
wrong. The building was dark, and he knew he had turned the
vault light on. He noticed, too, that someone had left the
window shades up. He ran around to the front. There was a
battered old sign fastened on the door. George could just make
out the words:
FOR RENT OR SALE
Apply JAMES SILVA
Real Estate
 Perhaps it was some boys’ trick, he thought wildly. Then he
saw a pile of ancient leaves and tattered newspapers in the
bank’s ordinarily immaculate doorway. And the windows
looked as though they hadn’t been washed in years. A light was
still burning across the street in Jim Silva’s office. George
dashed over and tore the door open.
 Jim looked up from his ledgerbook in surprise. “What can I
do for you, young man?” he said in the polite voice he reserved
for potential customers.
 “The bank,” George said breathlessly. “What’s the matter
with it?”
 “The old bank building?” Jim Silva turned around and
looked out of the window. “Nothing that I can see. Wouldn’t
like to rent or buy it, would you?”
 “You mean—it’s out of business?”
 “For a good ten years. Went bust. Stranger ’round these
parts, ain’t you?”
 George sagged against the wall. “I was here some time ago,”
he said weakly. “The bank was all right then. I even knew some
of the people who worked there.”
 “Didn’t you know a feller named Marty Jenkins, did you?”
 “Marty Jenkins! Why, he—” George was about to say that
Marty had never worked at the bank—couldn’t have, in fact, for
when they had both left school they had applied for a job there
and George had gotten it. But now, of course, things were
different. He would have to be careful. “No, I didn’t know
him,” he said slowly. “Not really, that is. I’d heard of him.” “Then maybe you heard how he skipped out with fifty
thousand dollars. That’s why the bank went broke. Pretty near
ruined everybody around here.” Silva was looking at him
sharply. “I was hoping for a minute maybe you’d know where
he is. I lost plenty in that crash myself. We’d like to get our
hands on Marty Jenkins.”
 “Didn’t he have a brother? Seems to me he had a brother
named Arthur.”
 “Art? Oh, sure. But he’s all right. He don’t know where his
brother went. It’s had a terrible effect on him, too. Took to
drink, he did. It’s too bad—and hard on his wife. He married a
nice girl.”
 George felt the sinking feeling in his stomach again. “Who
did he marry?” he demanded hoarsely. Both he and Art had
courted Mary.
 “Girl named Mary Thatcher,” Silva said cheerfully. “She
lives up on the hill just this side of the church— Hey! Where
are you going?”
 But George had bolted out of the office. He ran past the
empty bank building and turned up the hill. For a moment he
thought of going straight to Mary. The house next to the church
had been given them by her father as a wedding present.
Naturally Art Jenkins would have gotten it if he had married
Mary. George wondered whether they had any children. Then
he knew he couldn’t face Mary—not yet anyway. He decided to
visit his parents and find out more about her.
 There were candles burning in the windows of the little
weather-beaten house on the side street, and a Christmas wreath
was hanging on the glass panel of the front door. George raised
the gate latch with a loud click. A dark shape on the porch
jumped up and began to growl. Then it hurled itself down the
steps, barking ferociously.
 “Brownie!” George shouted. “Brownie, you old fool, stop
that! Don’t you know me?” But the dog advanced menacingly
and drove him back behind the gate. The porch light snapped
on, and George’s father stepped outside to call the dog off. The
barking subsided to a low, angry growl.
 His father held the dog by the collar while George
cautiously walked past. He could see that his father did not
know him.
 “Is the lady of the house in?” he asked.
 His father waved toward the door. “Go on in,” he said
cordially. “I’ll chain this dog up. She can be mean with
strangers.”
 His mother, who was waiting in the hallway, obviously did
not recognize him. George opened his sample kit and grabbed
the first brush that came to hand. “Good evening, ma’am,” he
said politely. “I’m from the World Cleaning Company. We’re
giving out a free sample brush. I thought you might like to have
one. No obligation. No obligation at all...” His voice faltered.
 His mother smiled at his awkwardness. “I suppose you’ll
want to sell me something. I’m not really sure I need any
brushes.”
 “No’m. I’m not selling anything,” he assured her. “The
regular salesman will be around in a few days. This is just—
well, just a Christmas present from the company.”
 “How nice,” she said. “You people never gave away such
good brushes before.”
 “This is a special offer,” he said. His father entered the hall
and closed the door. “Won’t you come in for a while and sit down?” his mother
said. “You must be tired walking so much.”
 “Thank you, ma’am. I don’t mind if I do.” He entered the
little parlor and put his bag down on the floor. The room looked
different somehow, although he could not figure out why.
 “I used to know this town pretty well,” he said to make
conversation. “Knew some of the townspeople. I remember a
girl named Mary Thatcher. She married Art Jenkins, I heard.
You must know them.”
 “Of course,” his mother said. “We know Mary well.”
 “Any children?” he asked casually.
 “Two—a boy and a girl.”
 George sighed audibly.
 “My, you must be tired,” his mother said. “Perhaps I can get
you a cup of tea.”
 “No’m, don’t bother,” he said. “I’ll be having supper soon.”
He looked around the little parlor, trying to find out why it
looked different. Over the mantelpiece hung a framed
photograph which had been taken on his kid brother Harry’s
sixteenth birthday. He remembered how they had gone to
Potter’s studio to be photographed together. There was
something queer about the picture. It showed only one figure—
Harry’s.
 “That your son?” he asked.
 His mother’s face clouded. She nodded but said nothing.
 “I think I met him, too,” George said hesitantly. “His name’s
Harry, isn’t it?”
 His mother turned away, making a strange choking noise in
her throat. Her husband put his arm clumsily around her
shoulder. His voice, which was always mild and gentle,
suddenly became harsh. “You couldn’t have met him,” he said.
“He’s been dead a long while. He was drowned the day that
picture was taken.”
 George’s mind flew back to the long-ago August afternoon
when he and Harry had visited Potter’s studio. On their way
home they had gone swimming. Harry had been seized with a
cramp, he remembered. He had pulled him out of the water and
had thought nothing of it. But suppose he hadn’t been there!
 “I’m sorry,” he said miserably. “I guess I’d better go. I hope
you like the brush. And I wish you both a very Merry
Christmas.” There, he had put his foot in it again, wishing them
a Merry Christmas when they were thinking about their dead
son.
 Brownie tugged fiercely at her chain as George went down
the porch steps and accompanied his departure with a hostile,
rolling growl.
 He wanted desperately now to see Mary. He wasn’t sure he
could stand not being recognized by her, but he had to see her.
 The lights were on in the church, and the choir was making
last-minute preparations for Christmas vespers. The organ had
been practicing “Holy Night” evening after evening until
George had become thoroughly sick of it. But now the music
almost tore his heart out.
 He stumbled blindly up the path to his own house. The lawn
was untidy, and the flower bushes he had kept carefully
trimmed were neglected and badly sprouted. Art Jenkins could
hardly be expected to care for such things.
 When he knocked at the door there was a long silence,
followed by the shout of a child. Then Mary came to the door.
 At the sight of her, George’s voice almost failed him. “Merry
Christmas, ma’am,” he managed to say at last. His hand shook
as he tried to open the satchel. When George entered the living room, unhappy as he was,
he could not help noticing with a secret grin that the too-highpriced blue sofa they often had quarreled over was there.
Evidently Mary had gone through the same thing with Art
Jenkins and had won the argument with him too.
 George got his satchel open. One of the brushes had a bright
blue handle and varicolored bristles. It was obviously a brush
not intended to be given away, but George didn’t care. He
handed it to Mary. “This would be fine for your sofa,” he said.
 “My, that’s a pretty brush,” she exclaimed. “You’re giving it
away free?”
 He nodded solemnly. “Special introductory offer. It’s one
way for the company to keep excess profits down—share them
with its friends.”
 She stroked the sofa gently with the brush, smoothing out
the velvety nap. “It is a nice brush. Thank you. I—” There was
a sudden scream from the kitchen, and two small children
rushed in. A little, homely-faced girl flung herself into her
mother’s arms, sobbing loudly as a boy of seven came running
after her, snapping a toy pistol at her head. “Mommy, she won’t
die,” he yelled. “I shot her a hunert times, but she won’t die.”
 He looks just like Art Jenkins, George thought. Acts like him
too.
 The boy suddenly turned his attention to him. “Who’re
you?” he demanded belligerently. He pointed his pistol at
George and pulled the trigger. “You’re dead!” he cried. “You’re
dead. Why don’t you fall down and die?”
 There was a heavy step on the porch. The boy looked
frightened and backed away. George saw Mary glance
apprehensively at the door.
 Art Jenkins came in. He stood for a moment in the doorway,
clinging to the knob for support. His eyes were glazed, and his
face was very red. “Who’s this?” he demanded thickly.
 “He’s a brush salesman,” Mary tried to explain. “He gave
me this brush.”
 “Brush salesman!” Art sneered. “Well, tell him to get outa
here. We don’t want no brushes.” Art hiccupped violently and
lurched across the room to the sofa, where he sat down
suddenly. “An’ we don’t want no brush salesmen neither.”
 George looked despairingly at Mary. Her eyes were begging
him to go. Art had lifted his feet up on the sofa and was
sprawling out on it, muttering unkind things about brush
salesmen. George went to the door, followed by Art’s son, who
kept snapping the pistol at him and saying: “You’re dead—dead
—dead!”
 Perhaps the boy was right, George thought when he reached
the porch. Maybe he was dead, or maybe this was all a bad
dream from which he might eventually awake. He wanted to
find the little man on the bridge again and try to persuade him
to cancel the whole deal.
 He hurried down the hill and broke into a run when he
neared the river. George was relieved to see the little stranger
standing on the bridge. “I’ve had enough,” he gasped. “Get me
out of this—you got me into it.”
 The stranger raised his eyebrows. “I got you into it! I like
that! You were granted your wish. You got everything you
asked for. You’re the freest man on earth now. You have no ties.
You can go anywhere—do anything. What more can you
possibly want?”
 “Change me back,” George pleaded. “Change me back—
please. Not just for my sake but for others too. You don’t know 

Friday, May 22, 2009

ANO RECTAL EXAMINATION!!!
the pic above is a a tiny anal abscess, the patient complained of burning sensation while defecating

Strange name to start offa blog i presume!!

but it was my first time and i am more than excited to write about the first experience in the faecal orifice.

There were over 10 patients in the waiting to get their per rectal examination in order to check for any pile mass or a fissure>

Pile masses and anal fissures are two most common pathologies found in ano- rectal region.

PROCEDURE

Sterile surgical gloves are worn

2. the patient is made to lie down in the lithotomy position (prone position with your legs firmly flexed and held close to the chin) .
3. A sterile cotton swab with antiseptic liquid is used to clean the concerned area under examination.
4. The area is then checked externally to locate fissure's or swelling viz oedema, or abscess .
5. We then proceed firther into the rectum making sure the patient is breathing heavily in order to ease the strain over the rectal muscles.
6. a finger is then inserted into the anal canal after annointing it with an analgesic jelly , the figer is then assigne the task of an inspector,
the inserted index is then turned aroun the rectum 360 degrees to check for either congestions or debris.
--- in a male its very important to check for the normal tecture and situation of the prostrate with is found easily on raising the finger up against the upper wall or anterior wall of the rectum.
(teh prostrate is a beautiful organ, the organ responsible for a mans masculinity btw )


the procedure ends by withdrawing the index slowly out of the rectum .

NOTE: The rectum gives teh exact temperature of teh internal body... its about 1 degree centigrade higher than the oral or buccal temperratere, you'll feel the heat if you personally shove a finger up the anus too..

rectum again is the mos-t re-liable source for obtaining apt temperature in paediatric cases and even in veternary science.

Wednesday, May 13, 2009

Rhyming again

This is another poem which my dad preserved and is still posted on his blog,

The first poetry writing competition in my college in the year 2007 had a strange topic of interest and they shot us with the topic MOBILES,

So the poet in me nerves his way as below


MOBILE

Poem by : Athreya Devanur (my son)

FLASHY SCREENS, UNTAMMED RINGS

BE IT BLOKES, OR WELL GROOMED MEN

THEY'VE ALL EMPOWERED THE 5 INCH SET

NETS LAID , BY NETWORKS APLENTY

TRAPPED A MOB, AMASSED WEALTHY

SPICING UP LIFE IN MINIATURE HUTCHES

THE CELLS WORK ABSOLUTELY FLAWLESS

PARALIZED AM I WITH THE SNAZZY STROKES,

KUDOS TO THE 100 FREE SMS'ES A LOAD

TURN'D AM I INTO A NOCTURNAL BEING

ITS INTOZICATING

THE BLUNTN RAPID STROKES , A VAMPYRIC ADDICTION

THE CZARINA OF MACHINES, A CUT ABOVE THE REST

TRANSFORMING COMMUNICATION INTO AN OBNOXIOUS JINX

UNSPARED ARE THE ABBOTS OF TEMPLES

SPRINKLED IS THE HOLY WATER ELECTRONICAL

LETTERS DIARIES ALARM AND CLOCK

INVENTORS OF WHOM ARE HELD CAPTIVE CERFS

SHACKLED R THEY IN THE CHIP N BOX

THE WORLS ENCOMPASSED , COMPACT IN A SIM

PLACES ARE JUST A FEW CLICKS AWAY

WITH THE WORLD UNSTEADY, HERE IS THE ERA

THE MOBILE ERA

ATHREYA


Reminiscing the past

This was a realy long time ago when i was all zealous to write a poem in the manner i've been programmed to reading dunig my schooloing.

Reading it now is like truly reminiscing th past..

And whats more, my dad still has this poem in his ultra proffesional blog on yahoo 360, (Love you pa)

AN ODE TO MY DREAM

By : Atheya Devanur (my son)

MY DREAM, A DREAM WHICH REMAINS A DREAM
DREAMS ARE PROMISING BUT ARE UNREAL THOU'
MEMORIES TO CHERISH, THOSE PLAYFUL MOMENTS
THE DREAM CONSISTS OF em' ALL
TO MY DREAM O' DREAM

TIS' THE FAITH OF ONE AND ALL
THE DREAM TO COME REAL AND TRUE
DOES THIS HAPPEN ?
THIS ALMIGHTY QUESTION WHICH WE PUT FORTH
TO THY DREAM O' DREAM

DREAMS ARE LIKE PETALS OF A FLOWER
SHORT TERMED; BUT STILL BLISSFUL
SHORT TERMED THOU' THE FRAGRANCE LASTS FOREVER
THEY HAUNT YOU IN A VERY SWEET MANNER
THIS IS WHAT A DREAM IS
THE SWEET NECTAR FROM THE FLOWER
TO MY DREAM O' DREAM

O' DREAM, THOU BREATH OF A SPRINGS BEING
THOU' FROM WHOSE UNSEEN PRESENCE THE LEAVES SPRING
THOU' FROM WHICH THRE SWEET NECTAR ORIGINATES
THESE SWEET MEMORIES, THESE SWEET DREAMS
TO MY DREAM O' DREAM

DREAMS MAY BE HEARD OR UNHEARD
HEARD MEMORIES ARE SWEET BUT THOSE UNHEARD
ARE SWEETER ; THEREFORE YE' SOFT IMAGINATIONS PLAY ON;
TO THE BLISSFUL HOUR WHEN THE DREAM ARISE
THIS IS AN ODE TO MY DREAM
TO THY DREAM O' DREAM

ATHREYA.V.I.DEVANUR






The myth - a perspective

A myth is an idea that, while widely believed , is false
In a deeper sense, in the religious sense a myth serves as an orienting and mobilizing story for the people
the focus is not on the story's relation to reality, but on its function
a story cannot function unless it is believed to be true in the community or the nation

well... it is not a matter of debate , that some people have the bad taste to raise the question of the truth pertaining to the sacred story
the keepers of faith do not enter into a debate with them
they ignore them or denounce them as blasphemous ....